Tag Archives: videopoema

First goal achieved!

We just reached the first objective! Now, let’s go for the second. Stay tuned!!

first objective reached

We want to reach 8.500€ to make Versogramas amazing. With that extra money, we can fill the set with amazing attrezzo so that the transition scenes look even better: dried leaves, stones, books, leds, boxes, crazy stuff… Besides, we can hire more people to help us with the logistics. We really need more helping hands! Could you please help us achieve that?

Also, we want to add a new reward: a picnic+informal outdoors screening of the documentary. Have dinner with the team while you watch the documentary, for 50€! Don’t miss it!

As a way to say thanks to all the patrons that have already supported, we will give you an extra reward! Online access to exclusive material from the documentary: making off, cut scenes, full interviews…

THANK YOU, THANK YOU, THANK YOU

Let’s keep moving forward! Please share vkm.is/versogramas and collaborate in this fantastic project!

Dictionary Illustrations – Marie Craven

Dictionary Illustrations is a funny and rhythmic videopoem by Marie Craven.

Dictionary Illustrations Marie Craven

A rare example among the usual videopoems made in video, this animation of encyclopaedia illustrations embodies the aesthetics of gifs. This mix of an antique content with contemporary form is really interesting: a rhythmic and quick editing, a simple naïve music based on loops, typography cut off and displayed over a moving background,a hypnotic use of the usual statism that defines pictures whose only task is to inform.

Dictionary Illustrations can be defined as a result from the now extinct project The Poetry Storehouse, an American online database of poems and audio recitings that encouraged remix and free usage with the aim of creating videopoems.

Sara Sloath’s poem is a tribute to curiosity: why dictionaries don’t have a picture for verbs, why lines are like that, why is so difficult to describe the shape of leaves… The voice of the kid who recites transmits an innocence that, along with the meticulous character of music, highlights the whole videopoem.

Dictionary Illustrations won this last edition of O’Bheal International Poetry-Film Competition.

What is love – Eduardo Yagüe

Eduardo Yagüe investigates the essence of relationships in his videopoem “What is love?”

love eduardo yagüe

“What is love?” is a poem by Lucy English, translated and recited by Eduardo Yagüe. He also directs the videopoem. As the main character we find Steffan Carlson.

What is love, asks the poem. Definitions of the feeling narrate the progression of a relationship: the beginnings, discovery, home, family, time, old age, memory. They are no common definitions but poetic reconstructions of an unbreakable bond.

The contrast between the poem and the video is absolutely devastating, thus effective. A paralell history emerges in our minds: one of the protagonists of the poem, now an old man, alone in a big empty house, tries to spend time while remembering, in absolute solitude and sadness, when “they never felt alone”.

Eduardo Yagüe studied Dramatic Arts and Spanish Language and Literature. In Madrid he worked as an actor in theater and film. Parallel he has been writing  poetry and stories since he was young. Actors usually play the main role in their videopoems, made with the base of touching and intense poems. His works and collaborations have been screened at videoart and videopoetry festivals in Spain, Holland, Belgium, USA, Germany, Australia, Canada, Greece and Portugal.

Anomia – Mónica Ezquerra

Mónica Ezquerra is a Spanish artist who works with photography, collage and video art. All of their creations have a deep poetic essence, sometimes underlying, sometimes clear. This is “Anomia”.

anomia mónica ezquerra

After dissecting arthropods in collage series “Menagerie”, in “Anomia” Mónica performs a conceptual dissection of the components of a poem. This video is based on the original recording of Ulises Carrión’s “Poema” (1977), a litany of the semantic categories that build the skeleton of a poem empty of any meaning but exposed in its structure. Title. Text. Stanza. Verse. Word. In terms of imagery, a stream of signals constantly in motion, repetitions, duplications, a visual essay that recalls the sediment layers. In fact, as she herself describes:

“Sediments, clottings, projections that language exercises in me.

Their flows, fluids, intensitiy streams. Dismantling.

After the indecisive labile of language word speech, who is left?”